THE PROFESSIONAL ACTOR TRAINING PROGRAM/MFA in Acting
The Professional Actor Training Program (PATP) prepares advanced students for careers as professional actors, with the expectation that students will take responsibility for the depth and development of their own artistic practices. Led by a faculty of working theater practitioners, the school offers a rigorous three-year M.F.A. conservatory program. Recruiting a class once every three years, each student is closely mentored by a faculty committed to a unified vision and individual student growth. The training is dedicated to producing well-rounded, skillful, and creative actor/artists. To meet the demands of the 21st century, actors must have expertise in a range of styles and be adept at working in any medium. To accomplish this it is essential that they have a clear, specific and personal approach to the craft of acting. We offer a comprehensive progression in acting, voice and speech, and movement: the principal components of the three-year program. Additional coursework will include on-camera technique, devised work, text analysis, specialized areas of voice and movement, and audition techniques.
The Acting Studio
With a strong foundation in the Meisner Technique, the first year of training puts rigorous emphasis on the authentic use of self, the reality of doing, the awakening of the emotional life, and the collaborative process. The second year of training focuses on creating complex characters through the application of the foundation work to scenes, exercises and performance. Style work begins in the second half of the second year with a semester long focus on playing Shakespeare. The third year more fully integrates the classical repertoire, encompassing a wide range of period style work. Third year students will also be exposed to industry professionals and hone their audition technique and business acumen in classroom and professional settings. In the movement studio, emphasis is placed on the human body as an instrument of expression, and on developing strength, alignment, flexibility, availability and stamina. Voice and speech work focuses on releasing habitual tension, increasing power and range, and utilizing specific speech choices. A project driven on-camera class in the final semester is co-taught by faculty from the Film Division and the Theater Division.
Every actor performs a minimum of one role per semester. This can be in the Theater Division's main stage offerings or in its studio or laboratory productions. Actors also work regularly in the development and production of new plays, both in workshop and in the annual Seabury Quinn Jr., Playwright’s Festival in collaboration with the students in the MFA Playwriting Program. Collaborations with the Film Division are frequent, and actors will have ample opportunity to work on camera. In all cases, special emphasis is placed on the student’s ability to synthesize the work of the studio with the practical realities of his or her casting.
Assessment and Admission
There is continual communication among the performance faculty members aimed at monitoring and advancing the preparation and process of each student. Semester evaluations inform students of their progress, outline specific strengths and weaknesses, and specify goals for the upcoming semester. Students demonstrating consistent growth are invited by the faculty to continue in the succeeding year of training. Admission to the program is by interview and audition at the annual U/RTA sites and at scheduled auditions on campus. The PATP is open to a limited number of talented, mature, and committed students. On campus auditions will be scheduled by appointment throughout the fall of 2017, and on a weekend in February of 2018 (to be announced). A class of four women and six men is currently in their second year of training. We are accepting a class of ten actors for admission in the fall of 2018.
Actors will be offered the opportunity to be involved in a summer of performance activities at the Tantrum Theater in Dublin, Ohio. Equity Membership Candidacy is available to participating actors. A wide range of industry guests visit campus each year - frequently for extended workshops.
Internships are required, and a range of professional internships are available to all MFA candidates in acting. The internship credits may be fulfilled by acting in a production at the Tantrum Theater.
For additional information, contact Shelley Delaney, Head of the Professional Actor Training Program.
PATP Sample Curriculum
A minimum of 18 studio hours per week per semester
Fall, Year One
Spring, Year One
Fall, Year Two
Spring, Year Two
Fall, Year Three
Spring, Year Three