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This artist was awarded
an Ohio Arts Council Individual Excellence Award for 2010.
Mark Phillips
Distinguished Professor School of Music, (Gldn 475B) Ohio University Athens, Ohio 45701 email: phillipm@ohio.edu phone: (740) 593-4244 —
(office secretary)
additional
websites: |
Course Website Information for Spring 2011 If you are registered for a class of mine and are looking for the course website, here are the relevant links: Music 178 Music 178A Composition (all levels) Music 415/515 Music 416/516 & 416A/516A link to a menu of all current classes http://call.ohio.edu/course/category.php?id=78 link to a menu of all classes from previous quarters http://call.ohio.edu/course/category.php?id=89 |
| Recent Composition Projects | Mark's Music Links | Class Information |
| Teaching Schedule | MaxMSP
resources |
MIDI Lab Schedule |
| Assistantship Opportunity | Professional
Vita |
Press
Articles
& Interviews |
| Music
178
&
178A
—
Computer Skills for Musicians --
taught
every
quarter Note: 178 is for Music Majors; 178A is for non-majors Current Quarter Course Materials: (PDF) Syllabus for Music 178 (music majors) section Syllabus for Music 178A (non-majors) section -- Links to generic html course outline (i.e. no project due dates assigned) Music 178 (majors) class outline and Music 178A (non majors) class outline |
|
Music 304 — Instrumentation --
taught
only
fall
quarters Fall 2006 material: |
|
Music 413/513 — History
and
Practice
Electronic
Music --
taught only winter
quarters Course material:
see also Electro-Acoustic Music Primer other resources Digital Audio Primer and Basic FM Synthesis on the DX7
|
|
Music 415/515 — Computers
and
Music
--
taught only spring quarters
Spring
2007
material: see also Mar(x)Tutorials |
|
Independent Project in Electronic Music — Music 416/516 -- offered every quarter Prerequiste: Music 178 or 178A; may be taken multiple times for credit.Music 416 & 516 Syllabus |
|
Advanced Projects in Electronic Music — Music 416A/516A -- offered spring quarters; and as needed Prerequiste: Music 416/516 and permission. |
| Ma(r)xTutorials **new
version** 2011 A set of Max tutorials for beginners. It contains a collections of small demos and examples that could serve as tutorials and/or models for students just beginning to learn Max. For the most part they are pretty well documented. It is intended to supplement the tutorials that come with the program. It is now available in two formats: the original version. A single large, multi-layered patch or a folder of discreet little patches. NOTE: Neither of this are stand alone applications. Both requires that you have installed the full Max program (or at least a demo of the program) or the freely distributed MaxPlayer. I assume it will work under both Mac and Windows operating systems, but I have no way of testing on Windows. Download links: (ca. 400k) Ma(r)xTutorials.zip — original "historic" version Ma(r)xTutorials_Folder.zip — original "historic" version I've also created a small Index
of the patcher names used in the tutorial (in "pdf" format). |
| Electro-Acoustic
Music
Primer (late-2010 revision) Electro-Acoustic Music Primer: (c. 10 MB) a ".zip" compressed archive -- Created using Max5 from Cycling'74. This is a "stand alone" Mac application (Windows users scroll down a further for a version you can use) designed to help teach some basic audio principles and common synthesis techniques to beginning students. There is also a ProjectSynthPack module with some slightly more elaborate demonstration synths and audio file manglers. Students can use them as a resource for their first electronic music mini-projects. Windows users (or Mac users who want to or need to do it this
way) should download either the full Max5 install or the free runtime version of
the program from Cycling
74. Then use one of the links below. (Note to Windows
users: Good
luck!
I
have
no
way
of
doing
detailed
testing. But many of my students have gotten
these things to work, though, so that should give you some
encouragement.) E-A_Music Primer Collective — This link downloads a folder with a single Max "collective" patch and a couple of short audio files. If it works, this should be a very simple solution for (hopefully most) Windows users. E-A_MusicPrimer5Folder.zip — This link downloads a folder with all the individual modules of the Primer as separate files. Each module could be run individually, or you can open the file named E-A_MusicPrimer.maxpat to run the programming in a manner similar to running the stand-alone Mac application.Note: Anyone with a full copy of Max5 (either platform) can also use the link above to look "under the hood" and see everything about how all the modules work. It's a good way to start learning how to program and create your own Max patches. Older Stuff Electro-Acoustic Music PrimerX a slightly older version PluggoVST.zip (ca. 320k) — This file is a collection of VST plug-ins derived from the ProjectSynth module of my E-A_MusicPrimer. Contents include the following: AdditiveSynth, FM-Synth, DeepSpace (automated sine waves), ModWheelMayhem, ModWheelScales, NoiseySynth2, PannerDeluxe, and Pierre'sPlayhouse. NOTE:
To use this set of plug-ins you need to download the free run-time
version of Pluggo
from the Cycling'74 site. Then place the plugin modules in a
folder named Pluggo and place that folder in the folder with your other
VST plug-ins. Then launch your VST host application.
also available: (old "legacy" OS 9 version) Electro-Acoustic Music Primer: (ca 600k) old OS 9 version E-A MusicPrimerFolder.sit (ca. 100k) — OS 9 version |
Useful Utility Application: a Max/MSP-based 5.1 Studio Tester stand alone application: StudioTester.zip simple patcher: StudioTestPatch.zip (re-configurable if you have Max/MSP) I designed to be useful for checking to see that all signal paths are good, that and levels and frequency, response, etc., are consistent; that all speakers are all working properly, where the sweet spot is for monitoring, etc.. Easy access to your choice of white or pink noise ... or whatever external source you want to plug in; instantly route to any combination speakers; switch speakers on and off with ease; instantly "kill" all speakers, etc.. In combination with some analysis programs, we have used it recently as a resource when checking room coloration, frequency nodes, and reverb decay. |