19.
Clear the table! Break this allegiance!
Scatter the little machines!
Begin!
Here! And Here!

But could be screen works parlaying pixilated fields.
And could be screen words.
Or a few selected words with shadowy opera behind them—?

Or a few selected words with shadowy operaD
Or a few selected words wi th shad sho wor <
Or a few selected words with shadowy operaK
Or a few selected words with shadoin a No No No

Or a few selected words with shadowy operatebook

“My works get made and then chopped up, and then reglued and remade, and then chopped up again, the whole thing is really endless.”

Or a few selected words with shadoJuly-September 2005

Notes to Draft 76: Work Table with Scale Models. The citation in section 13, their “folds come to contain the flow of time,” is from Charles Altieri, “Taking Lyrics Literally,” NLH 32.1 (Winter 2001), 273. The citation that closes section 19 comes from the visual artist Ray Johnson. Ray Johnson: Correspondences, ed. Donna De Salvo and Catherine Gudis. Columbus, Ohio: Wexner Center for the Arts and Paris: Flammarion, 1999, 191.

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