Horace Iule (Aiuli) (c. 1901-1978)

As early as 1944, when John Adair's groundbreaking study of Southwest Native American silverworking titled The Navajo and Pueblo Silversmiths was published, Horace Iule had achieved a level of success that enabled him to rely upon his craft for his livelihood. Identified by Adair as "one of the two or three best artisans in the pueblo," Iule taught silversmithing at Zuni's government-funded day school, thus influencing an entire generation of silverworkers.

A third-generation silversmith whose grandfather Hatsetsenane (or Sneezing Man) was, according to Adair, "one of the first generation of Zuni smiths," Iule initially trained as a blacksmith at the Phoenix Indian School. Iule learned silversmithing from his father after completing his education and returning to the pueblo in 1924.

Horace worked with his wife Lupe Iule, who was from San Felipe Pueblo. They were married in 1933, and had six children: Ruby, Lupe, Cecilia, Robert, Barney, and Phillip.

Known for his mastery of silvercasting, Horace Iule was one of the first Zunis to produce the mythological Knife-Wing figure in silver. He is best known today for his castwork crosses. Iule taught casting to his daughter Lupe Iule and her husband George Leekity, and they still produce cast crosses from Horace's original designs. When George and Lupe do their own work, they stamp it "Leekity." When they use Horace's molds, they stamp the pieces with "Iule." Horace's sons Barney and Philip also do casting, as does Lupe's daughter Rosella.


Horace Iule (Zuni)
Cast Silver Cross with Turquoise
cast silver and 6 turquoise stones
no date
1.88 in. wide x 3 in. high
KMA 89.016.539
 
Horace Iule (Zuni)
Sterling Cross
n.d.
size
Sterling silver
KMA 89.016.740
 
Horace or Wilbur Iule (Zuni)
Cross Pendant
c. 1980
3 in. x 2 in.
Silver, turquoise
KMA 89.016.229
 
Cross Necklace with Handmade Chain
Horace Iule (Zuni)
Silver, turquoise
no date
17 in. long
KMA 89.016.1088
 
Links:
http://www.sedonaindianjewelry.com/Jewelry/images/sept2002/HIuleA.jpg
http://www.sedonaindianjewelry.com/Jewelry/Zuni2.html
http://www.galleryofthesouthwest.com/htmlsite/catalog3.asp?pid=449

Sources:

Adair, John. The Navajo and Pueblo Silversmiths. Norman, Okla.: University of Oklahoma Press, 1944, p. 137-143.
Baxter, Paula A. "Navajo and Pueblo Jewelry 1940-1970, Three Decades of Innovative Design Revisited," American Indian Art Magazine, Autumn 1996:38.
Bauver, Robert. Masterworks and Eccentricities: The Druckman Collection. Pittsburgh, Pa.: Four Winds Publishing, 2002, p. 39.
Baxter Paula. Southwest Silver Jewelry. Atglen, Pa.: Schiffer Publishing, Ltd., 2001, p. 92.
Bedinger, Margery. Indian Silver Navajo and Pueblo Jewelers. Albuquerque, N.Mex.:
University of New Mexico Press, 1973, p. 134, 151, 200, 236.
Bell, Ed and Barbara. Zuni: The Art and the People, vol. 1. Dallas, Tex.: Taylor Publishing Co., 1975, p. 10, 14-15.
Cirillo, Dexter. Southwestern Indian Jewelry. New York: Abbeville Press, 1992. p 82-83.
Levy, Gordon. Who’s Who in Zuni Jewerly. Denver, Colo.: Western Arts Publishing Co., 1980, p. 25, 27, 63.
Ostler, James, Marian Rodee, and Milford Nahohai. Zuni: A Village of Silversmiths. Zuni, N.Mex.: A:Shiwi Publishing, 1996, p 73-75.
Schaaf, Gregory. American Indian Jewelry I: 1,200 Artist Biographies. Santa Fe, N.Mex.: CIAC Press, 2003, p. 187.
Slaney, Deborah C. Blue Gem, White Metal: Carvings and Jewelry from the C.G.
Wallace Collection. Phoenix, Ariz.: Heard Museum, 1998.
Wright, Barton. Hallmarks of the Southwest. Atglen, Pa.: Schiffer Publishing, Ltd., 2000, p. 81.