Dan Simplicio (1917 - 1969) |
Dan
Simplicio learned jewelrymaking from his uncle, Juan Dedios. He, in
turn, passed his knowledge on to younger Zuni artists, including his
son Mike Simplicio and his nephew Juan Calavaza. One of the most innovative
and wide-ranging Zuni artists, Simplicio was the first to develop
styles and materials usage that have since become commonplace. He
collaborated with a number of the most widely recognized masters of
Zuni art, including Leekya Deyuse, Teddie Weahkee, Leo Poblano, Bernard
Homer, and Lee Edaakie.
Early in his career, Simplicio worked at C. G. Wallace's Zuni trading
post, grinding and setting stones. Wallace collected his work; and,
when his collection was auctioned at Sotheby's in 1975, it included
more than 50 pieces by Simplicio.
Simplicio was the first to use branch coral in its natural form and
the first to set rough-cut coral nuggets on rings. He originated the
nugget style around 1948, in an attempt to make cheaper commercial
imitation of Zuni jewelry more difficult, and he introduced extensive
use of leafwork in Zuni jewelry. While Simplicio learned to carve
leaves from Juan Dedios, his son, Dan Simplicio, Jr., credits his
father's World War II army service in Europe with the development
of this innovation. Stationed in France, Germany and Italy, he observed
the use of leafwork in classical and modern Western European sculpture.
The present generation of Simplicio family jewelers have carried on
the use of the distinctively curved leaves that Dan originated. However,
their leaves curve in the opposite direction from his, making it easy
to distinguish their work.
Simplicio's jewelry has a highly individual look, resulting from its
distinctive use of deep red branch coral with intense blue turquoise.
Silver leafwork and stamped drops add texture and detail, creating
a delicate counterpoint to the heavier turquoise and branch coral. |
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Dan
Simplicio (Zuni)
Branch Coral and Carved Turquoise Necklace
Silver beads, branch coral, and plaques of Villa Grove Turquoise
1945
29.75 in. long
KMA 89.016.564 |
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Dan Simplicio
(Zuni)
Silver Box
silver, turquoise, coral, mother-of-pearl, black stone
1976
6 in. high x 4 in. diameter
KMA 89.016.138 |
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Dan
Simplicio (Zuni)
Silver Bracelet with Coral and Turquoise
silver, branch coral and turquoise
1932
size
KMA 89.016.639 |
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Dan
Simplicio (Zuni)
Morenci Turquoise Silver Bracelet
Morenci turquoise and silver
1967
2.5 in. high x 2.25 in. wide x 3.5 in. deep
KMA 89.016.430 |
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Dan
Simplicio (Zuni)
Silver box with turquoise and Red Coral on Lid
silver, turquoise, red coral
n.d.
3.25” x 8” x 5.5”
KMA 89.016.156 |
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Dan Simplicio
(Zuni)
Knifewing Inlay Cufflinks
c. 1930
1-1/2” x 1-3/8”
silver and inlay
KMA 89.016.822A & B |
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Dan
Simplicio (Zuni)
Earrings
Silver, turquoise
n.d.
.75 long
KMA 89.016.777 A & B |
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Dan Simplicio
(probably) (Zuni)
Pendant
Silver, turquoise
n.d.
2.825 in. x 3.75 in.; 16.75 in. long
KMA 89.016.862 |
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Dan
Simplicio (Zuni)
Bolo
Tortoise shell, silver, jet, coral, turquoise, mother-of-pearl
n.d.
2.75 in. x 2.25 in.; tips .75 in. x 2.75 in.; length 19.5 in.
KMA 89.016.906 |
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Dan Simplicio
(Zuni)
Buckle
Tortoise shell, silver, jet, coral, turquoise, mother-of-pearl
n.d.
2.22 in. x 3 in.
KMA 89.016.906.1 |
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Pin
Dan Simplicio (Zuni)
Coral, Burnham turquoise, silver
1938
2.5 in.
KMA 89.016.573 |
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Silver
and Coral Bolo
Dan Simplicio (Zuni)
silver, leather, pink coral
1963
23 in. long
KMA 89.016.384 |
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Silver,
Gold and Coral Watch Band
Dan Simplicio (Zuni)
silver, gold, pink coral
1963
.625 in. wide x 3 in. long
KMA 89.016384A |
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Silver,
Gold and Coral Ring
Dan Simplicio (Zuni)
silver, gold, pink coral
1963
1.25 in. wide x ?
KMA 89.016384b |
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Silver,
Gold and Coral Tie Tac
Dan Simplicio (Zuni)
silver, gold, pink coral
1963
.625 in diameter
KMA 89.016.384C |
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Silver,
Gold and Coral Cufflinks
Dan Simplicio (Zuni)
silver, gold, pink coral
1963
1.5 in. long x 1 in. diameter
KMA 89.016.384D.1 and D.2 |
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Juan
Calavaza and/or Dan Simplicio (Zuni)
Ring
Silver, coral, turquoise
n.d.
1 in. x 1 in. x 1 in.
KMA 89.016.1014b |
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Juan Calavaza
and/or Dan Simplicio(Zuni)
Ring
Silver, turquoise
n.d.
1.18 in. x 1 in. x 1.16 in.
KMA 89.016.1014a |
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Links:
http://gallerydb.net/web/galleries/elmoreindianart/index.htm?pg=detail&sku=Simplicio409.9111
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Sources:
Adair, John. The Navajo and Pueblo Silversmiths. Norman, OK: University
of Oklahoma Press, 1944, p. 199.
American Indian Art Magazine. Autumn, 1996, p. 36, 38.
Bauver, Robert. Masterworks and Eccentricities: The Druckman Collection.
Pittsburg, PA: Four Winds Publishing, 2002, p. 42.
Baxter, Paula. Southwest Silver Jewelry. Atglen, PA: Schiffer Publishing
Ltd., 2001, p. 111, 132, 135, 144, 148, 150, 196.
Baxter, Paula A. “Navajo and Pueblo Jewelry 1940-1970: Three
Decades of Innovative Design Revisited.” American Indian Art
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Bedinger, Margery. Indian Silver: Navajo and Pueblo Jewelers. Albuquerque,
NM: University of New Mexico Press, 1974, p. 201.
Chalker, Kari, "Dancing for Rain Under a Turquoise Sky: The Southwest,"
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Dubin, Lois. North American Indian Jewelry and Adornment. New York,
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Ellsberg, Helen. “Coral.” American Indian Art Magazine:
01 (Summer, 1976). p54.
Heard Museum. Bedazzled: Masterworks of Jewelry and Beadwork from
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Karaski, Carol. The Turquoise Trail: Native American Jewelry and Culture
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King, Dale Stuart. Indian Silverwork of the Southwest. Tuscon, AZ:
D.S. King Publishing, vol. 2, 1976, p. 10, 60.
Ostler, James and Rodee and Nahohai. Zuni: A Village of Silversmiths.
Zuni, NM: Zuni A:Shiwi Publishing, 1996, p. 64, 72, 84, 121.
Schaaf, Gregory. American Indian Jewelry I: 1200 Artist Biographies.
Santa Fe, NM: CIAC Press, 2003, p. 290-291.
Schiffer, Nancy. Jewelry by Southwest American Indians: Evolving Designs.
West Chester, PA: Shciffer Publishing Ltd., 1990, p. 145, 209, 220.
Schiffer, Peter N. Indian Jewelry on the Market. Atglen, Pa.: Schiffer
Publishing, 1996, p. 29.
Slaney, Deborah C. Blue Gem, White Metal: Carvings and Jewelry from
the C.G. Wallace Collection. Phoenix, AZ: The Heard Museum, 1998,
p. 15, 19, 23, 36.
Stacey, Joseph. “The Arizona Highways Hall of Fame Classics.”
Arizona Highways. v. 50, no. 8 (Aug. 1974): p18.
Turquoise Annual. “Coral.” The International Turquoise
Annual v. 2 (1977):106.
Whiteley, Peter M., "The Southwest 'Painterly' Style and Its
Cultural Context," in Totems to Turquoise: Native North American
Jewelry Arts of the Northwest and Southwest, Kari Chalker, ed. New
York: Harry N. Abrams, in association with The American Museum of
Natural History, 2004, p. 155.
Wright, Barton. Hallmarks of the Southwest. Atglen, PA: Schiffer Publishing
Ltd., 2000, p. 156. |

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